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The need to mark the passage of time is manifested here in a stone calendar. This ring of sculptures, each a permutation of the cycling mechanism of time, is oriented (and titled) according to the latitudinal and longitudinal locations of the ancient monuments of the artist’s heritage. The work was inspired by the artist’s visit to Chaco Canyon, and his observation of the time-keeping “dagger marker” of time, constructed by ancient peoples of light and stone. “Markers of Time” represents such a romance of time, extending between internal and exterior realms.
Palenque
17˚ 29’ 2.4” N 92˚ 2’ 49.20” W
Chaco Canyon
36˚ 3’ 37.12” N 107˚ 57’ 42.26” W
Chichen-Itza
20˚ 40’ 58.44” N 88˚ 34’ 7.14” W
Cusco
13˚ 31’ 30” S 71˚ 58’ 20” W
Cahokia Mounds
38˚ 39’ 14” N 90˚ 3’ 52” W
Tikal
17˚ 13’ 19” N 89˚ 37’ 22” W
Uxmal
20˚ 21’ 34” N 89˚ 46’ 17” W
Teotihuacan
19˚ 41’ 33” N 98˚ 50’ 37.68” W
The need to mark the passage of time is manifested here in a stone calendar. This ring of sculptures, each a permutation of the cycling mechanism of time, is oriented (and titled) according to the latitudinal and longitudinal locations of the ancient monuments of the artist’s heritage. The work was inspired by the artist’s visit to Chaco Canyon, and his observation of the time-keeping “dagger marker” of time, constructed by ancient peoples of light and stone. “Markers of Time” represents such a romance of time, extending between internal and exterior realms.
Palenque
17˚ 29’ 2.4” N 92˚ 2’ 49.20” W
Chaco Canyon
36˚ 3’ 37.12” N 107˚ 57’ 42.26” W
Chichen-Itza
20˚ 40’ 58.44” N 88˚ 34’ 7.14” W
Cusco
13˚ 31’ 30” S 71˚ 58’ 20” W
Cahokia Mounds
38˚ 39’ 14” N 90˚ 3’ 52” W
Tikal
17˚ 13’ 19” N 89˚ 37’ 22” W
Uxmal
20˚ 21’ 34” N 89˚ 46’ 17” W
Teotihuacan
19˚ 41’ 33” N 98˚ 50’ 37.68” W
Reinaldo Terrazas-Santos. Horta de Sant Joan 2011.
Installation video of the exhibition at the Convent of Horta de Sant Joan, 2011.